
Strövtåg i tid och rum, 2009
(Strolls through time and space)
Armchair, books, bags, boxes, radio, clock, etc.
Dimensions: 0.55 x 0.85 x 0,6 m.
Let’s take a walk shall we? These installations by Swedish born artist Michael Johansson are the cat’s ass, or whiskers, or whatever I’m supposed to say that means, “the coolest thing that has strolled through my space and time, like ever.”. The objects used, and the shapes created with these objects, embody so much of what makes me happy in this material world; high quality (mostly mid-century) vintage goods, metals + mod colors married to wood grains, and tetris like stacking precision that creates tidy cuboids, simple in their busyness. Among other things.
Wish I could eat ‘em.
If I had the patience to make my boxes of thrift store trappings look like these tiny mountains of mastery, I would. But to say that is to insult the artist. It’s like projecting a loud whisper of, “well I could do that. How hard could it be really?” while walking past a crafter’s table busy selling their thoughtful and technical creations. I’d need more than patience, I would need to have thought of it, and then done it. And I didn’t. Smart pants Michael Johansson did, and I’m so glad. He gets four thumbs up from me. (that’s right, I have impossible digit amounts of love for his work!)

Rubiks Kök, 2007 (Rubik’s Kitchen)
Kitchen table, kitchen equipment. / Dimensions: 1.2 x 0.8 x 0.9 m.

Fyrahundra nyanser av brunt II, 2010 (Four Hundred Shades of Brown II)
Wooden furniture. / Dimensions: 2,5 x 2,8 x 2,5 m.
Michael’s artist statement:
| “I am fascinated walking around flea markets finding doubles of seemingly unique, though often useless objects I have already purchased at another flea market. Despite the fact that I did not have any use for them even the first time, the desire to own two of these objects becomes too strong to resist. The unique and unknown origin of the object increases my desire to want the double – the unlikelihood of this sensation repeating itself produces an attraction that is too strong to resist.
This combination of the now-familiar and the new-unknown are among the various factors that come together to create the irresistible pull of these objects. This re-iterated fascination and the overwhelming desire that follows is central to my art practice.
I am intrigued by irregularities in daily life. Not those that appear when something extraordinary occurs, but those that are created by an exaggerated form of regularity. Colours or patterns from two separate objects or environments concur, like when two people pass each other dressed in the exact same outfit. Or when you are switching channels on your TV and realize that the same actor is playing two different roles on two different channels at the same time. Or that one day the parking lot contained only red cars.
These irregularities, these coincidences, are another focus of my artwork.” |
Bleka Minnen, 2009 (Faded Memories)
Armchair, books, boxes, cameras, radio, etc. / Dimensions: 0.55 x 0.8 x 0,6 m.
Packa Pappas Kappsäck, 2006 (Pack Daddy’s Suitcases)
Suitcases. / Dimensions: 1 x 1.2 x 1 m.


TOYS’R'US – Dingy scale 1:1, 2006
Mixed Media: dinghy, boat equipment, welded metal frame, spray paint / Dimensions: 2 x 2,6 m.

Garden Pack, 2008
Lawnmower, wheelbarrow, garden equipment, etc. / Dimensions: 2,1 x 0,6 x 1 m.
And there is sooo much more. To check it out visit his website by clicking here. You won’t be sorry.
Via: my friend Connor’s facebook wall. Thanks Connor!